February 27, 2012

A fabulous article written this summer by local blogger Sarah Zaharia!


posted by Sarah Zaharia @ www.sarahzaharia.com
My family has been going to Rainbow Stage every year for over 35 years.  With few exceptions, we are 3 generations strong at each show and have had up to 25 in our group (my first show I was two weeks old and my mom tells me I was very well behaved).  Safeway night, a 50 year tradition has always been the night of choice for my family to see shows in Kildonan Park.

For those of you that don’t know, Safeway night is held on the night of dress rehearsal and is rush seating for the reduced rate of 17$ per ticket which makes it more affordable to go as a family.  The familiar sound of Vic Pinchin, the brainchild behind Safeway night, taking us through the pre-show housekeeping is a wonderful reminder that as much as some things change, others stay exactly as they should.

It’s worth noting, as Doug Meacham, President- Rainbow Stage Board of Directors did in the Hairspray program, they are more than a production company.  Rainbow Stage promotes musicals in high schools, awards scholarships and employs hundreds of local talent in both front and back of the house.  It has been a privilege to support them and I look forward to continuing to enjoy their productions for years to come.

This year there were two summer productions, Cats and Hairspray and both were very well done.  At both shows, I was struck by the talent of the dancers and the calibre of singing, especially since a lot of the talent is home grown.  I thought the sets for Cats were especially well done. I hope to hear that Rainbow has done well again this season, certainly when I was at both shows the house was packed.

George Wendt, otherwise known as Norm from Cheers, did an exceptional job as Mama (Edna Turnblad) mostly because he looked like he was sincerely having a great time doing it!  There was so much sincerity and joy in all the performers during Hairspray that by the end of the show the crowd was going crazy.  I’ve never seen them jump so quick to their collective feet at the end of a performance and there were hoots and hollers coming from all corners of the audience.

Thanks for another great season of summer musicals Rainbow.

Bravo!


February 23, 2012

Altar Boyz is saving souls, one screaming fan at a time @ Prairie Theatre Exchange

By, Kayla Gordon
Hey Rainbow gang!  I was asked to blog a bit about Altar Boyz and being a former Rainbow performer I’d love to report a bit about the experience with this fresh, fun high octane musical.  When I first saw Altar Boyz in New York, I loved the reaction the musical got from the audience. They were sitting there singing along and having so much fun with the interactive part of the show, it was hilarious to watch.  You know it's magic when the audience and the performers come together and have that personal connection.  I also love the comedic aspects in the musical. The spoof on the boy bands as well as the whole genre and style of music. I also love the mix of the high power dancing and singing. To have 5 guys on stage giving off that kind of energy is electric.

The opportunity to do a show for a second time, thanks to Prairie Theatre Exchange is such a treat.  Winnipeg Studio Theatre mounted the show at the Winnipeg Fringe in 2009 and I was thrilled when Bob Metcalf said he wanted to put it into their 2011-12 season.  So what’s different.....this production will have a lot more of the 'bells and whistles'.  Better lighting, a set that doesn't take 5 minutes to put up and tear down after each performance, a 4-piece band on stage, as well as other embellishments that weren’t possible at the fringe. We have also had more time to delve into the characters and their journey as they travel on the road to save the souls of the audience. 

Altar Boyz won the Outer Critics Circle Award for best off Broadway musical which is an award given by writers. It has also been one of the longest running off Broadway musicals ever with over 2000 performances in New York.  People just love it.  It's light entertainment and we all like to have fun, have a good laugh and yet you feel something for these guys as well as you get to know them. PTE audiences will also get a kick out of the audience members who get involved in the show. It's good, clean interactive theatre in an intimate setting with just the right amount of spice.

I'm just so thrilled that Bob and Cherry have invited us back. It's my first professional opportunity to direct on the mainstage at PTE even though I've done a number of shows on the PTE stage including the recent all-Dentist musical Little Shop of Horrors.  It's a great creative team including both Brenda Gorlick and Sofia Costantini as co-choreographers and Joseph Tritt as Musical Director and we are all very excited to have another chance to mount a show that was so much fun to begin with.  The boyz are also all back – Joseph Sevillo, Marc Devigne, Jeremy Walmsley, Michael Lyons and Simon Miron. We felt the fever that summer of 2009 when people were lining up all the way out the door, past the Imax Theatre and now we're just glad to do it all over again. The Altar Boyz are back in the house!

February 16, 2012

Locals sing, dance, neigh on far-flung stages

Mairi Babb is playing part of the titular equine in War Horse, a role that's mostly puppeteer.
By: Kevin Prokosh
Mairi Babb is a leading lady of the Winnipeg stage, having starred in recent years in a dozen plays including as Belle in Beauty and the Beast, Janet in The Rocky Horror Show and the title character in Educating Rita.

These days she is appearing in the highly anticipated Canadian première of War Horse, currently in previews ahead of a Feb. 28 opening at Toronto's Princess of Wales Theatre. Although Babb is often seen in costume dramas, frequently singing, in this case she is playing a young horse, whose only vocal requirement is the odd snort.

"I don't speak at all," says Babb, during a telephone interview. "It's all movement and puppetry.
Monica Simoes photo Jaz Sealy (second from left, with his arm around choreographer Lisa Shriver) is Broadway bound with Stratford's production of Jesus Christ Superstar.

"I also play mud. Really. We're in this burlap netting and attach to the horses's leg to slow them down."

Babb is one of several Winnipeg stage products who are making dramatic moves in their careers. Grant Park High School graduate Jaz Sealey is going to Broadway with the Stratford Festival cast of Jesus Christ Superstar, which also includes local Broadway veteran Jeremy Kushnier. Local composer and fringe festival favourite Joseph Aragon is getting his first professional production when a new high-profile Toronto theatre company debuts next October with his musical Bloodless: The Trial of Burke and Hare.

War Horse, like the Steven Spielberg Oscar-nominated film adaptation, tells the story of the First World War through the eyes of a horse, Joey, who is sold to a cavalry division and shipped off to France. The horses are portrayed with life-size puppets animated by three actors, one as the head and the others as the heart and hind.

"It's incredibly challenging," says Babb, herself an accomplished equestrian. "We have been like a foal. We couldn't walk at first but we are gamboling all over the place now.

"I told my director that when I go onstage in Pride and Prejudice (RMTC, 2008) I have over 400 lines. That's my comfort zone, and now I'm doing things I've never done before and have to use my skills in an entirely different manner."

The Mirvish Productions presentation of War Horse is an open-ended run in which the 35-member cast is contracted to the end of the year. It's Babb's first blockbuster but she's not sure what her involvement will do for her career.

"It's definitely a highlight but I don't expect anyone to watch the show and go, 'Boy, can that girl do good mud. We should use her somewhere.'"
-- -- --

Sealey is already in New York City in rehearsals for Jesus Christ Superstar, which begins previews at the Neil Simon Theatre March 1 and officially opens on March 22.

"I can't believe that is all happening, Broadway-bound!" says Sealey.

Tony Award winner Des McAnuff directed JCS, which last year was a sellout hit starring Paul Nolan as Jesus Christ. In December it transferred to the La Jolla Playhouse, where Kushnier (Footloose, Jersey Boys) joined the cast as Pontius Pilate. In New York he will play James the Lesser while Sealey continues as Thomas, as well as understudying the part of Peter.

"It was a huge shock to be added to the cast in Stratford, and then getting the news about the show going to La Jolla and Broadway... wow," says Sealey, who has appeared in five Rainbow Stage productions. "I feel like I'm just that kid from Grant Park High School, but now on an amazing adventure."
-- -- --

Aragon is well-known in Winnipeg for his many fringe festival musicals -- Lucrezia Borgia, Illuminati and Hersteria -- but no one has produced one professionally, even in his hometown. So to have a Toronto company choose to debut with Bloodless after chats with 100 Toronto composers is a feather in Aragon's hat.

"It's my big break, I guess," he says. "It's my professional debut, actually. So I'm a little overwhelmed and a little scared."

The musical, first staged here at the 2009 fringe festival, is about the 1829 West Port murders in Edinburgh, Scotland, perpetrated by William Burke and William Hare, who sold the 17 corpses to medical anatomy schools. The subject matter and body have drawn comparisons with Stephen Sondheim's 1979 thriller Sweeney Todd: The Demon Barber of Fleet Street.

Theatre 20 is the new, artist-driven company that will bow for the first time with Bloodless. Adam Brazier (who played opposite Babb in The Rocky Horror Show) is the artistic director and among the founding artists is Colm Wilkinson, who originated the role of Jean Valjean in Les Miserables, and will direct Bloodless at the Panasonic Theatre from Oct. 16 to Nov. 4.

Last week the for-profit company Mirvish Production unveiled its 2012-13 season, which includes the smash hit Book of Mormon and Sister Act, while also announcing that it was offering its subscribers first dibs on tickets to Bloodless. At the launch, before 1,800 people, Wilkinson introduced the Bloodless tune The Bugger's Best Off Dead.

"People seemed to like it," says Mirvish's John Karastamatis. "There were bravos being yelled. We hope this bodes well for Theatre 20 and Bloodless."

Bloodless is also to be revived in Winnipeg to run almost simultaneously with the Toronto run.
Republished from the Winnipeg Free Press print edition February 16, 2012 D3

February 13, 2012

Guess Who... Kildonan Park... the memories still have me... Laughing


Winnipeg author and historian Allan Levine fondly remembers simpler times at Kildonan Park

By: Allan Levine
If my memory serves me correctly, it was September 1969 and I had started a new school year, Grade 8, at Edmund Partridge Collegiate. A good friend, Jack Pollick, who died far too young, was attending Jefferson Junior High. He had invited me to join him to hear the quintessential Winnipeg band, the Guess Who, play a free concert at Rainbow Stage, the open air theatre at Kildonan Park. Somehow, Jack had acquired two tickets. Though it was a weekday night, my parents had no objections to me attending and Jack and I walked from my home on Royal Crescent to the park.

Things were buzzing by the time we found our seats and for the next two hours, we were treated to the best Burton Cummings, Randy Bachman and the boys had to offer. I recall Cummings at his most melodic when he sang These Eyes, and introduced a new song, Laughing, which was also a big hit with the delirious audience.

The evening air was warm and the band was hot; within less than a year, the Guess Who would release American Woman and nothing would be the same for them again. It was the perfect night, one of many occasions in my life when music, culture, friendship and fun came together amid the tall trees and green space of Kildonan Park.

Nestled along the Red River in the north part of the city, Kildonan Park was established in 1910. In those early days, it was beyond the city limits and you needed a car to visit it. With its rolling hills and winding roadway, it was and remains a great place for a leisurely drive.

In the 1970s, when I spent many evenings in the large space located behind the park's Chief Peguis Pavilion -- the chief landmark then was a large oak tree with two limbs easy to climb on -- it was "cool" to park your car on the side of the road next to the golf course and blast your car radio as loud as possible.

The park holds many great memories for me: It was the place we snuck away to in high school when we skipped a science or English class on a Friday afternoon; the spot when I first eyed my wife, Angie (she was a grade ahead of me and therefore technically off limits, but I might have said hello to her once), it's where I played football and learned to golf. Mostly, though, I remember laughing with good friends and enjoying the lazy spring and summer days when life was a lot less complicated.

Allan Levine is a Winnipeg historian and writer. His most recent book is William Lyon Mackenzie King: A Life Guided By The Hand Of Destiny. His three Sam Klein historical mysteries are now available as print-on-demand books at McNally-Robinson, Grant Park.
Republished from the Winnipeg Free Press print edition February 12, 2012 A8

February 06, 2012

Let's keep our perspective on kids with (huge) talent

Dane Bjornson plays the guitar and piano and sings.
By: Lindor Reynolds @ Winnipeg Free Press
If Maria Aragon is the new Justin Bieber, is Dane Bjornson the new Maria Aragon?

Maria is 10 and, as much of the world knows, performed on Ellen Tuesday. Her cover of Lady Gaga's Born This Way has been seen by more than 11 million people. The fame tsunami hit after the pop star tweeted about the little girl's YouTube video.

Aragon will soon appear on stage with Lady Gaga in Toronto. If there's a fame lottery, this tiny Winnipegger won it.

If lightning can strike a Winnipeg child once, why not twice?

There are lots of kids with equal talent and the same adorability factor. These tots have always been out there, belting out Broadway tunes in junior high musicals and stealing the show at Christmas concerts. What's changed is how accessible their talent has become to the outside world.

There were always proud parents shooting home movies or video. Now they're posting them online.

Simon Cowell just signed 10-year-old Torontonian Heather Russell to his label. He discovered her on YouTube.

Let's take a look at Dane Bjornson. He's also 10. Bjornson, the son of Minister of Entrepreneurship, Training and Trade Peter Bjornson, is a guitar-playing, keyboard-plunking, songwriting and singing sensation. Like Aragon, he has been posting his videos on Youtube. Unlike Aragon, a star of Lady Gaga's fame hasn't yet tweeted to sing his praises.

But these are early days.

He's not sitting around waiting to be discovered. Bjornson is writing his own music with the help of local band Pushing Daisies. He performs on Open Mic night at the Folk Exchange. He's appeared at Rainbow Stage, MTYP and sings in various choirs.

He takes guitar, voice and keyboard lessons.

"At two he was singing along with (American band) Five For Fighting," laughs Peter Bjornson. "The kids are all musical. Dane's the one who's really comfortable performing."

Brother Kieran and sister Iris hold their own, says their father.

The only stage managing the Bjornsons did was to buy "every Fisher Price toy you can bang on and strum on," says Bjornson.

Both parents insist the priority is to let Dane be a normal kid. A normal kid who is saving his money to put out his own CD, that is, and who regularly performs in public.

"We should have just invited Ellen here, there's so much talent," says the proud papa.

Dane is taking a low-key approach to his future.

"It would be cool to get discovered," he says, "Ellen would be great but I just don't want my life to get crazy. I'm enjoying writing my album with the Daisies."

His ambition?

"I just want to explore the world," says the puckish boy who handles audiences with the aplomb of a veteran lounge singer.

In one YouTube clip, he introduces a Daisies song:

"It's about a divorce," he says, as the crowd chuckles. He smiles. "I haven't been through anything like that. It's just a great song."

That's really all it takes: a great song, a great voice, an engaging personality and a lightning bolt from above.

Tuesday afternoon, Bjornson's most popular video has 2592 hits. Aragon's? A few more. But they're kids, and as long as those around remember that, it'll still be fun. Even Aragon, unknown outside her family and friends 10 days ago, says she just wants to get back to school.

Will either of these kids be the next Justin Bieber? Could be, since he too was discovered on YouTube.

Everyone remember that once upon a time Miley Cyrus and Lindsey Lohan were just sweet little girls with great voices.

Be careful what you wish for, folks.
reposted from the Winnipeg Free Press on February 23, 2011