December 23, 2011

Winnipeg loses a dance and musical theatre icon



"He loved to laugh and to make jokes. He loved to tease and to be sort of goofy. But he was also incredibly passionate. He'd get riled up about issues regarding the theatre scene and he was equally passionate about finding the right pieces for Rainbow and for trying to discover the key to unlock what would make Rainbow successful. He was a very driven man."
- Donna Fletcher

Posted by Andrea Ratuski, SCENE Producer | Wednesday December 21, 2011 
The Winnipeg arts community is mourning the death of Ken Peter, an icon of the local dance and musical theatre scene.  He died on December 20 at the age of 65.

Peter was a key figure in the dance community, respected as both a dancer and choreographer. As founder of a family-run studio, Ken Peter's Dance Express in East Kildonan he fostered the love of dance for thousands of young people.

He was an important creative force at Rainbow Stage, the longest-running outdoor theatre in Canada. He was a long-time board member of the organization and since 1998 served as executive producer.

In that capacity, Peter made a point of giving many opportunities to young people. Donna Fletcher is an actor, singer and director who has a long association with Rainbow Stage. Peter hired her to direct a production of Annie, to be staged this summer. "It was a big step to hire new, emerging local directors," she says. "I'm the first Winnipeg woman to be hired to direct there. So it means a lot on so many fronts. The fact that he was forward thinking and willing to take a chance with the shows they do. They're huge budgets, they're huge cast sizes."

She says Peter worked hard to keep the theatre relevant and vital to traditional audiences but also to a younger generation.

He is survived by his wife Marian and children Scott and Jayne.

December 21, 2011

Rainbow Stage group mourns passing of Ken Peter




Posted on ctvwinnipeg.ca on December 21 2011
The Rainbow Stage board of directors and staff announced that Ken Peter has passed away. Peter's involvement with Rainbow Stage stretched back over decades.

Officials said Peter died on Dec. 20.

Peter's career with Rainbow Stage started in 1957, when he performed in the Pot of Gold Variety Show.

He joined the board of directors in 1993 and became executive producer/general manager in 1998.

"Over the years, Ken's involvement has varied, but his love of musical theatre and his dedication to his craft has consistently been there and Rainbow Stage has been the beneficiary… He will be sorely missed in our community, especially here at Rainbow Stage," said Doug Meacham, president of Rainbow Stage's board of directors, in a press release.

December 16, 2011

Iconic children's entertainer Fred Penner conquers the generation gap


Posted on CBC website by: Fred Penner, Entertainer 
When my musical journey began in the 60's with the folk scene and 70's touring with Al Simmons, acting at Rainbow Stage etc.  I had no idea where it ultimately would lead.  I was versatile and able to explore many different styles of stage creativity, but when my wife Odette and I focused on children and families in the late 1970's my world turned up side down.

There was a huge demand for music and performance for the children of the 'boomers'.  The post WWII demography gave Raffi, Sharon, Lois and Bram and myself an amazing opportunity.  We brought our individual styles to the table and worked intensely to meet the demand.

I produced my first record, The Cat Came Back in 1979.  This led to a five year relationship with Raffi's company Troubadour Records.  We produced four more records in that time and then the fork in the creative road made the most significant turn.  "Hello Fred? This is Dodi Robb, head of Childrens Television for CBC... would you like to do a TV series for children?"

I asked how I would do this and Dodi put the ball in my court.  If I could do anything I wanted in such a series, what would it look and feel like?  I did some soul searching and looked into elements from my own childhood which ultimately led to the creation of Fred Penner's Place.  The series ran from 1985-1997 in Canada and 1989-1992 in the USA on Nick Jr. We did almost 1000 episodes and touched the lives of 100's of thousands of viewers, children, parents and grandparents.

Now the most amazing thing has happened.  That generation has grown up and inevitably looks back to their influences when they were small, and very often my name is spoken and suddenly a flood of memories returns to these young adults and visions of a log and a word bird come racing back.

I am in my 40th year of entertainment, and my palette includes keynote addresses at Early Childhood conferences, festivals and concerts across the country and I am honoured and delighted to be reconnecting with my early fans on their terms in their venues, i.e. the universities across Canada.

I have played everything from the Pit Pub at UBC to the Grawood at Dalhousie, in Nova Scotia, and a dozen spots in between. It almost feels like a new career  has blossomed. I am staying healthy and creative, in that order, and getting re-aquainted with a smart and inspiring demographic who still love Sandwiches and The Cat Came Back.  Who knew?

Republished from CBC Manitoba website on December 15, 2011

December 12, 2011

What this producer learned from a chorus-line job


By: Emily Mathieu – Staff Writer from the Toronto Star 
Ross Petty is a performer, producer and founder of Ross Petty Productions. In our series on the financial habits of notable Canadians, Petty told the Star’s Emily Mathieu about the tricks to working the clutch on his first car, what he learned working a theatre gig at 15 and why he doesn’t plan to retire.

How did your family influence your attitude toward money?

My parents were very frugal. They both worked and I remember how careful they were about spending unnecessarily. They made very safe investment decisions. Nothing more daring than Canada Savings Bonds or GICs. I maintained their direction with regard to spending in that I never buy on impulse and I don’t carry any debt. Unlike my parents however, I do have a propensity for high risk investments.

What is the best financial advice you ever received?
Find a good broker and don’t buy on margin.

Have you found a good broker?
The search for the broker continues with bodies strewn by the wayside. I’ve recently begun a new relationship and being an eternal optimist . . . he may finally be the one!

Describe your first job, what did it teach you?
I was 15 years old and landed a job on the chorus of Winnipeg’s Rainbow Stage Summer Theatre. I was earning $50 a week and thrilled that I was actually being paid to do what I loved. Lesson learned is that no matter what the salary, as long as you have a visceral connection to your work you’ll have a better chance of finding happiness.

What was the first item you purchased with your own money?
A 1956 Morris Minor for $200 — British Racing Green. I loved that car, even though I always had to park it on an incline, throw it into reverse and kick start it by popping the clutch.

What has been your savviest investment?
Real estate. My wife and I have owned three houses over our 28-year marriage and the investment growth has been exemplary. As well, deciding to jump into the market of my own volition in March 2009 was the perfect re-entry point. They say you can’t time the market, but I got lucky.

What is your best money-saving advice?
In producing live theatre I don’t earn a weekly paycheque and therefore can’t put a set amount into savings. For me personally, it’s to adhere to the dictum of not spending irresponsibly.
From a business perspective, attracting corporate sponsors to my productions through a million dollar marketing campaign covers off my pre-production costs.

What is your worst spending habit?
Buying a new car every six months . . . kidding! Buying perennials in plant nurseries is as out of control as I get. I’m an avid gardener and can spend hours on end exploring for new discoveries to add to the existing flora and fauna.

What hard financial lessons have you learned?
Like many people I was hit hard by the technology bust and the 2008 financial crisis. No one knows the eventual impact of the current European debt problem but I think the lesson to be learned is not to be greedy and understand that a changing market can tank just as quickly. Be satisfied with a comfortable return and cash out. Again, bricks and mortar (is the) best place for that cash.

What advice would you give to young people about to enter into entertainment?
To know how tough a life it is. Rejection is constant and an unwavering belief in your talent is of utmost importance. I was fortunate enough to have achieved an international career as an actor and singer but still felt vulnerable and decided to try and mitigate the uncertainty of where the next gig was coming from by creating my own company.
That was in 1986 and my first production as one of the family musicals that I still present today at Toronto’s Elgin Theatre. The determination that is necessary to succeed as a performer is needed in spades when you own your own company. You have to be relentless.

Do you worry about retirement?
In show business one rarely thinks about retiring. As an actor or singer you can perform well into your golden years. My long range goal is to keep creating shows at the Elgin Theatre for as long as I am able. The concept of Freedom 55, or 65, or 75 in these uncertain economic times is a mystery to me. I love what I do. Why would I want to stop?

Are money and success the same thing?

Definitely not. As a young performer in New York I probably believed that money would be the direct result of success. But in the intervening years I’ve come to understand that as long as one is fulfilled by ones vocation money doesn’t play as important a role . . . my original revelation as a 15 year old starting out in the business.

Republished from the Toronto Star on December 10, 2011

December 09, 2011

Two local actors to debut as Rainbow Stage directors

By: Staff Writer @ Winnipeg Free Press
THE big news at Rainbow Stage is not the shows it will revive for its 2012 season but the local actors it has chosen to make their debut as directors.

The outdoor summer theatre company will present Footloose June 18-July 8 and Annie Aug. 9-31. Actor Carson Nattrass will make his professional debut as the director of Footloose (Rainbow Stage in 2003), about a young Boston man transplanted to a southern town where dancing and rock music are banned. Singer/actor Donna Fletcher will direct Annie (Rainbow Stage in 1987) and become the first local female to helm a show for the Kildonan Park-based troupe in its 57-year history.

"It's really a big deal for me," says Nattrass, 32. "Faces like mine tend to be directing at the fringe festival not on the big stage."

It's a career break for both performers who are stepping up to bigger opportunities in larger venues.

"I've been bugging Rainbow Stage for over 10 years now, says Nattrass, whose Rainbow credits include Hairspray, Cats, Peter Pan, Good News, Grease (was assistant director) and Miss Saigon. "It's been a while coming. I've been preparing for this for years."

For Fletcher the assignment allows her stage career to come full circle. She and her Annie choreographer Kimberley Rampersad were both in the musical about Little Orphan Annie in 1987.

"It means a lot to me," says Fletcher who has directed with Dry Cold Productions (Sweeney Todd, The Light in the Piazza and Nine) where she is co-artistic director "This is fitting. It's a show I did as a young wannabe. It's the culmination of a journey with Rainbow Stage."

There have been only two other female directors ever at Rainbow, including Toronto's Tracey Flye, who helmed Hairspray last August.


Republished from the Winnipeg Free Press print edition December 6, 2011 C2

December 07, 2011

Rainbow Stage Emerges From the Great Flood for its Inaugural Season

Rainbow Stage was built because of the 1950’s flood... It was once an old band stand that was washed away by the Red River in the 50’s flood, and if it hadn’t been for Tom Hodgson – Superintendent of Parks at that time, nothing would have happened to redevelop the site.  Tom insisted that the band stand be reconstructed.  As a result a number of people got involved with the rebuilding process.  The public felt that the stage should become a performing theatre and when it was complete, the arch shaped beam at the front of the stage was noticed by a board member who claimed it looked like a Rainbow... giving Rainbow Stage its identity!  The same arch shaped beam can be seen outside of the current theatre as a monument to its past.
The first performing act for Rainbow Stage was planned on short notice.  The Kitsilano High School Boys Band was flying home from performing in England and had a layover in Winnipeg.  Vic Pinchin had the pleasure of singing with director Arthur Delemont's daughter at the University of B.C. in the Gilbert and Sullivan Yeoman of the Guard.  Vic spoke with the group and arranged for the Kitsilano High School Boys Band to play at the opening ceremonies, in 1954.

As told by Vic Pinchin.